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"Linha Imaginária" MU.SA
At the invitation of the Aga Khan Foundation, I participated in the MU.SA - Sintra Arts Museum in an exhibition centered around artistic production as a cosmopolitan representation of the municipality, titled "Imaginary Line." The periphery is a significant narrative body that finds in urban art the means to express values and truths that define the amalgamation of experiences that constitute the daily life of its streets. It is in the periphery that one lives in the immanence of creation, in this emergence that challenges the Imaginary Line that can isolate and confine spaces - whether in geography or access - and claims its place of protagonism, its place to speak.
Born as a rupture, art produced from the urban periphery is plural, daring, beautiful, and ephemeral. It thrives in anonymity and reinvents exhibition spaces for itself. It is an art form that grows and diversifies in the strokes of drawing, in the intervention of letters, in the images that capture and appropriate walls, canvases, trains, and paths, in an imaginary line that converges from the margins and shifts it to another centrality.
The "Imaginary Line" exhibition, as a collective showcase, brings together the creations of more than two dozen artists. Their arts are imbued with an urbanity that engages with it, contesting and renewing it through their artistic discourse. The exhibition featured works by Adilson Monteiro, Blac Dwelle, C Marie, Carlos Stock, Diogo Carvalho, Diogo Ferreira, Fidel Évora, Filipa Bossuet, Halb, Inês Santos, Julia Blochtein, Kapulana San, Lukanu Mpasy, Moami, Nastia Kazmina, Onun Trigueiros, Queragura, Rappepa Bedjo Tempo, RAM, Sepher Awk, and Taya.
"Linha Imaginária" MU.SA
At the invitation of the Aga Khan Foundation, I participated in the MU.SA - Sintra Arts Museum in an exhibition centered around artistic production as a cosmopolitan representation of the municipality, titled "Imaginary Line." The periphery is a significant narrative body that finds in urban art the means to express values and truths that define the amalgamation of experiences that constitute the daily life of its streets. It is in the periphery that one lives in the immanence of creation, in this emergence that challenges the Imaginary Line that can isolate and confine spaces - whether in geography or access - and claims its place of protagonism, its place to speak.
Born as a rupture, art produced from the urban periphery is plural, daring, beautiful, and ephemeral. It thrives in anonymity and reinvents exhibition spaces for itself. It is an art form that grows and diversifies in the strokes of drawing, in the intervention of letters, in the images that capture and appropriate walls, canvases, trains, and paths, in an imaginary line that converges from the margins and shifts it to another centrality.
The "Imaginary Line" exhibition, as a collective showcase, brings together the creations of more than two dozen artists. Their arts are imbued with an urbanity that engages with it, contesting and renewing it through their artistic discourse. The exhibition featured works by Adilson Monteiro, Blac Dwelle, C Marie, Carlos Stock, Diogo Carvalho, Diogo Ferreira, Fidel Évora, Filipa Bossuet, Halb, Inês Santos, Julia Blochtein, Kapulana San, Lukanu Mpasy, Moami, Nastia Kazmina, Onun Trigueiros, Queragura, Rappepa Bedjo Tempo, RAM, Sepher Awk, and Taya.
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